Oh to have been born in a well-to-do Parisian family and to have been an adolescent artist in revolutionary times. Such was the experience of estimable French director Olivier Assayas whose reminiscences form the basis of this tale, set in 1971 – three years After May (the original title). The lycee students Gilles, Christine and Alain are involved in an act of vandalism which hurts a security guard. They go their separate ways and take different paths to their own personal revolutions. The beautiful lighting, the tender display of friendships lost and retrieved, the political growth, the topless women and bottomless men, are but a somnolent groovy autumnal backdrop to the fetishising of paper in all its forms, a wonder in this digital age of ephemera. We are confronted with the texts of revolutionary writers in the classroom, screenplays for the TV series of Maigret, published by Gilles’ father; propaganda, sketches for Gilles’ artworks; paintings and projections for the backdrops at rock happenings, books, letters, envelopes … paper is the basis for everything, intimately associated with feeling and memory and posterity.