The new Tarantino movie was controversial long before it was made: the script was leaked by persons unknown and the director threatened not to make it as a result. However, here it is, in all its inglourious variety. This is definitely a film of two halves and it is really perplexing trying to figure out why it had to be shot on Panavision 70mm – after the initial ride through the snowy mountains it’s set for the most part in a log cabin while a blizzard rages outside. Admittedly seeing the digital transfer courtesy of Odeon is not the way it was intended. The second half really gets going however as everyone tries to kill off everyone else and the connections between the parties are revealed and sundered in the goriest way imaginable. It is basically Ten Little Niggers/And Then There Were None relocated to the Wild West, including the only woman getting a hanging in the concluding scenes. Boo, hiss etc. It always takes two viewings to understand this man’s films (I will make an honourable exception or three for Reservoir Dogs, Jackie Brown and Kill Bill. That’s half his films, to be fair). And they go faster the second time. However the intermission was wasted where I saw it – rendering the second half voiceover by QT redundant if not outright puzzling… It’s as if Martin McDonagh was given a camera and not a stage. Strange. QT is really writing plays, isn’t he?