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Camelot (1967)

Camelot movie poster.jpg

“Don’t let it be forgot/That once there was a spot/For one brief shining moment/that was known as Camelot.” Might for Right. Justice for All. Proposition:  does nominative determinism predispose one to a penchant for a particular film? Um, yes, in my case I was named to love all things Arthurian – even this, a famously lambasted adaptation of the long-running stage hit from Lerner and Loewe. The show was adapted from TH White’s The Once and Future King and Lerner did the screenplay which was directed by Josh Logan, a man not unfamiliar with the musical genre. King Arthur is looking back at his life on the eve of battling his best friend, Lancelot du Lac, whose romance with Queen Guinevere has broken up their marriage and the Round Table and the dreams of law and chivalry, with impish David Hemmings as the bastard Mordred planning a takeover. If you don’t find your heart beating lighter when Franco Nero sings to Vanessa Redgrave one of the great songs, If Ever I Would Leave You… then you must be made of stone. They fell in love in real life, Redgrave bore him a son and then in 2006 they finally married. In an art-imitates-life-imitates-art scenario they were reunited onscreen as former teenage lovers reuinited in old age in Letters to Juliet (2010). Even at 3 hours there are several songs omitted as well as the character of Morgan Le Fay, but hey, it’s less problematic than time-travelling to Broadway circa 1960. This is the musical that made Richard Harris a very wealthy man when he spent years touring it. Great Bank Holiday viewing! Now, where’s my soundtrack album…

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About elainelennon

An occasional movie-watching diary.

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