A drama set in the wake of the 17th century war between Catholics and Protestants. Or, more specifically, about demonic possession, witchcraft and the denouncing of Catholic priest Urbain Grandier (Oliver Reed) in Loudun, France, courtesy of some crazy-assed nuns when Cardinal Richelieu was on the prowl. Adapted from a play by John Whiting and a book by Aldous Huxley, this barely got released, given that this was the era of X-ratings and heavy censorship and there are a number of versions. This is the one where Vanessa Redgrave is the deformed nun having masturbatory hallucinations about Oliver Reed, said priest. It is horror, surrealism, politics and religion, all wrapped up in the vision of the extraordinary director Ken Russell with the splendid production design of Derek Jarman which all concludes (naturally) in a fiery conflagration. Russell was named Best Director at the Venice Film Festival despite the film being banned in Italy. A really oddly brilliant modernist essay on belief. Not easily forgotten but a bit much for 3AM. Did this really happen or was I having a particularly lucid Stilton dream? If you’re looking for an amazing read, Russell’s autobiography is just the ticket. And for some more historical background on this time, see La Reine Margot (1994), starring Isabelle Adjani, who still looks around 17 despite being in her 60s.