When this was released theatrically I dragged my best male friend along – a psychiatrist who had to concede it was indeed possible to make a female Woody Allen movie even if he really didn’t buy into Sarah Jessica Parker. (And also claimed that Mia Farrow was the spawn of the devil because of what she said about the Woodster – we agreed to disagree!) I, on the other hand, had been a fan of SJP since Square Pegs and was also incredibly impressed that she had been the long-term galpal of Robert Downey Jr. This was in fact a kind of rehearsal for Sex and the City – writer/director David Frankel worked on the show and costumier Patricia Field first worked with SJP right here. There’s a real lesson in screenplay construction here – since it’s all about marriage. SJP is ad writer Gwyn, who is engaged to zoologist Matt (Gil Bellows) and wants a marriage just like her parents (Mia Farrow and Paul Mazursky). Except her mother confesses her adultery to her with Antonio Banderas, her invalided mother’s nurse, and her father is in a longterm romance with his travel agent. Her newly married sister (Carla Gugino) cheats on her cheapskate footballer husband with her high school ex (Jeremy Piven) and her horndog brother Jordan (Kevin Pollak) hates being deprived of sex by his pregnant wife (Barbara Garrick) so he also confesses his adulterous liaisons to his little sister. Gwyn comes to her difficult decision as everyone around her tells her how disastrous their marriage is … and tries to escape her own commitment by agreeing to try writing a screenplay for a dreadful comedy pilot, dragging Antonio along for support. Needless to say, there is somewhat of an unexpected ending. A great ensemble works very well with a witty script, a guest spot by supermodel Naomi Campbell and superb Florida locations. Great fun – made in those halcyon days when intelligent movies didn’t have to be made on crazy budgets and people could make insightful statements about how to get on with the mundane issue of living with a soupcon of wit.