Posted on

Who’s That Knocking At My Door (1968)

Who's_That_Knocking_at_My_Door_film_poster

Martin Scorsese’s debut is pretty amateurish but nonetheless interesting for the array of influences integrated into a familiar story utilising those tropes that became enmeshed in his narratives – Little Italy, immature men on the make, guilt. An absurdly young looking Harvey Keitel is JR who falls for the arty Girl (Zina Bethune) but can’t deal with her after she tells him she was raped. The visual and verbal cues to Anger, Ford, Godard and Hawks are clear and the film’s centerpiece is more student than expert – a sex dream choreographed to The End by The Doors. But the final images are more clearly Catholic than anything else you’ll see in his work and kudos to his NYU film school professor Haig Manoogian who pretty much financed this. Read The Film Maker’s Art if you get a chance – published in 1966, it’s still a fine piece of work. His wife Betzi contributed to the dialogue, Mama S made calzone, while Thelma Schoonmaker edited – not for the last time. And Mean Streets was yet to come…

Advertisements

About elainelennon

An occasional movie-watching diary.

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out / Change )

Twitter picture

You are commenting using your Twitter account. Log Out / Change )

Facebook photo

You are commenting using your Facebook account. Log Out / Change )

Google+ photo

You are commenting using your Google+ account. Log Out / Change )

Connecting to %s