Prime Minister Harold Macmillan made an epoch-defining speech in South Africa’s Cape Town parliament in February 1960 which gives this film its title. He was referring to the decolonising process and this story looks at the impact of black immigration on white working class Britons in the wake of the Notting Hill race riots. Johnny Briggs plays Frank, an unemployed Teddy boy who hangs out at coffee bars and despises the black men taking on the factory jobs and dating white girls. He lives at home, surviving on welfare benefits and handouts. His parents, Donald Pleasence and Hilda Fenemore, have diametrically opposed views of him – Dad thinks he’s feckless and racist, Mum thinks he needs more understanding and a nice girlfriend. One night he and his mates attack black men in the park and his own sister Jose (Ann Lynn) gets scarred and her parents discover she’s been going out with a black man. What happens to him proves a major fulcrum in all their relationships. It’s interesting to see the race problem being handled in this way, albeit the ‘action’ sequences are broken up with the kind of long dialogue exchanges more familiar from TV shows. Johnny Briggs’ performance is certainly of note for its febrile aspects and this can be grouped with the earlier Sapphire and Flame in the Streets as efforts to grapple with a social problem which has had massive ramifications. It’s nice to see Ann Lynn, principally in the film’s last third. She also featured in Flame in the Streets and you might spot her in A Shot in the Dark and The System. She really made her name in TV in the Sixties and for showbiz info freaks, she was married to Anthony Newley when this was shot. Distributed by Bryanston, this was written by Alexander Dore and John McLaren and directed by Vernon Sewell.