All I have is a faded corsage and an empty bottle of perfume … Sob! Most people’s favourite Bette Davis picture, this tale of a bullied daughter of Boston brahmin stock, sent away to recover from a mother-induced nervous breakdown only to return a woman of the world with a married man, is pure classical Hollywood. Olive Higgins Prouty’s bestseller of an ugly thirtysomething duckling who turns into a mature and lovely swan is the stuff of Cinderella transformations and all the stops were pulled out to ensure its success. Casey Robinson was the steady hand deployed to manage the emotions and tap all the appropriate responses in what would have been censor-baiting material. He was the greatest screenwriter at Warners’ disposal, starting his career with Captain Blood (1935) which made Errol Flynn a star and created a tone for all action-adventure films to follow. He started writing films for Bette Davis two years later with It’s Love I’m After and followed it with the great Dark Victory, the film which properly turned Davis into a feminine star. He said it helped to know which actor he was writing for because then everything was in their voice “and Bette Davis, how I heard her voice!” Irving Rapper directed,Gladys Cooper is Mommie Dearest, Claude Rains is the suave and suaver psychiatrist and Paul Henreid does the two-cigarette act with aplomb. Golly this is great.