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Ricki and the Flash (2015)

ricki-and-the-flash-movie-poster

I’m a big fan of writer Diablo Cody so having her write a movie starring Meryl Streep and directed by Jonathan Demme made me hope for great things – like Young Adult, the criminally underrated comedy with Charlize Theron and still Cody’s best work … Ricki’s the sixtysomething mom who ran away from hubby and three small children to make music and is still rocking away in California bars at night and checking groceries by day – basically broke. (But living the dream! Yeah!) She gets a call from home, ex-hubby Pete  (Kevin Kline) informing her that their adult daughter Julie (Mamie Gummer ie Ms Streep’s own daughter) is in trouble after her husband cheated and split. Ricki rolls up to the mansion in Indiana in her rocker gear, Julie’s hair is on end and she’s off her trolley on prescription drugs. She’s vile to her mother. But the dog thinks Ricki’s cool. Then Pete tells Ricki that Julie attempted suicide. The women’s scenes together are really good – as you’d expect  – but the writing’s not as sharp as you want for performers of this calibre. There’s a good restaurant scene where  Ricki  discovers her older son is engaged (to an obnoxious snob) and her other son is gay (he used to be bi) and dad orders dinner over the row. It’s fun to see Streep and Kline back together for the first time since Sophie’s Choice but there’s no really felt narrative between them. Just a lot of years apart. Ricki brings Julie to the hairdresser and gets her off the pills. Then … stepmom comes back and narrative issues arise:  she’s black (I guess it’s PC), a high achiever, and she’s competing to be the better mom. Not too hard since she was there. Your basic bitch, as Kate Moss might have it. Ricki slopes back to CA to bandmate Rick Springfield and they have a good scene together – but he gets the best lines about parenting, plus the tears. Then there’s a wedding … Perhaps the big issue here is Ricki’s voice – in every sense. We hear one of her ‘own’ compositions, with Streep on guitar, wasted on weed, with Pete and Julie, when he admits he’s still got her album in a Rubber Maid in the garage. But everything  else is a cover version. We needed something true – written by a woman who’s seen it all. Wasn’t Lucinda Williams available for the whole soundtrack instead of just one song (ditto Emmylou)? A pity… That’s Cody dancing in the red striped dress in the bar, BTW.

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About elainelennon

An occasional movie-watching diary.

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