Four of the most beautiful people on the planet spend a few days together at a villa and one morning one of them is found floating on the surface of the swimming pool. Alain Page (writing as Jean-Emmanuel Conil) wrote the story La Piscine and Jacques Deray filmed it in 1969. It starred Alain Delon, Romy Schneider, Maurice Ronet and Jane Birkin. All these years later Italian filmmaker Luca Guadagnino decided to remake it in a different setting (using David Hockney’s famous title), a volcanic Italian island where rock singer Marianne (Tilda Swinton) is recuperating from throat surgery with her documentary maker boyfriend Paul (Matthias Schoenarts). She isn’t speaking to protect her voice, he’s not drinking because, as we learn, he was in rehab following a suicide attempt. Old friend, Marianne’s producer ex Harry (Ralph Fiennes) arrives with a young American girl Penelope (Dakota Johnson) who’s apparently the daughter he discovered he had just last year. Tensions unfurl among the foursome and the complexities of Harry and Marianne’s previous relationship unravel as the heat pulses, Harry’s larger than life personality unsettles everyone and we wonder just what is going on: is jailbait Penelope really Harry’s daughter? Just look at Swinton’s reaction when Harry says to Penelope ‘You’re the best thing that ever happened to me!’ It’s something to behold. Not to mention that it happens at a karaoke party he’s orchestrated at the local bar. She doesn’t talk, he never stops. Marianne seems to be a female Bowie, a latterday Siouxsie Sioux perhaps, and Penelope likens her life to an album of twelve tracks – one side for Harry, one for Paul, six years each, with one good song on each side ‘to make people turn over’. This is a tough film of relationships, fame, creativity or lack of it (how daring to have a singer unable to vocalise), the choices people make to withdraw and have different kinds of lives than the crazy ones they used to lead. There’s a clever, ironic screenplay by David Kajganich and the volcanice landscape is a useful and unforgiving correlative for tensions that are going to boil over… Fiennes and Swinton are wonderful.