Gary Numan appeared like a Kraftwerk clone from another planet at the end of the Seventies with his band Tubeway Army and their earworms, Cars and Are Friends Electric? His appearance drew ire from the critics, who played no role in boosting him since he just … manifested, like a badass machine dream. His unique musical approach was to take Moog synth sounds and feed them through guitar effects pedals. It was the height of the New Wave and even within that loosely defined movement he was an anomaly. Not that you’d really learn this here because this concerns his move to LA a few years ago with his feisty former fan wife, their three lovely daughters and is really about mental health, financial woes and the difficult writing of his make or break album and emigrating to the US because he’s broke and needs to connect with more opportunities. We learn a huge amount about his (few) relationships; his Asperger’s diagnosis when he was a kid; very little about his tunnel vision and determination; and the eventual difficulties with his manager father when he kept going on expensive tours that led to his folks going to ATMs at night and using their credit cards to pay the bills. He and his wife both succumbed to depression around his 50th birthday and the stress of keeping going and raising three small children whom they struggled to conceive is movingly told. It’s an engaging piece of work with some beautifully staged sequences including several mobile camera shots upside down which is presumably an objective correlative for his view of the world. And his wife’s hair colour is different in every scene. But there’s not enough about the music or what actually happened to make – and break up – Tubeway Army! Darn it! For another film, perhaps, or the Uncut version. Directed by Steve Read and Rob Alexander.