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Match Point (2005)

Match Point movie poster.jpg

Who knew Woody Allen had it in him to make a tough sexy thriller? And here it is, a film that was transposed for financial reasons from NYC to London, featuring Jonathan Rhys Meyers as Chris Wilton, an Irish tennis pro on the make who weasels his way into British society and his plans are almost derailed by the vengeful wheedling American actress (Scarlett Johansson) with whom he has an affair. To a degree, we’ve been here before with Crimes and Misdemeanours (and Love and Death!) and the references to Dostoyevsky are writ large not least because Chris is reading Crime and Punishment and his preference for tragic operas and a belief in luck dictate his life. The Brit crits weren’t in love with this as they believed Allen’s use of London locations – opera, tennis clubs, posh bars and restaurants, theatres, and country houses – were classist. Did they seriously believe the Upper East Side to be representative of working class NYC?! When Johansson threatens Chris with revealing her pregnancy to his wife Emily Mortimer, whose brother broke off their engagement, there’s only one thing to do … The tension is stomach-churning, Rhys Meyers is superb in a very demanding dramatic role, a contemporary arriviste Raskolnikov, with ScarJo providing the eroticism in a field of wheat in the rain. All in all it’s a great exercise in life, sex – and luck. And just listen to Caruso …

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About elainelennon

An occasional movie-watching diary.

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