Apparently this poptastic creation is an adaptation of an Eighties animation (can’t say I remember it) and was a labour of love for its writer/director Jon M. Chu but for an audience over the age of 12 it’s mostly a chore. The original premise was about the owner of Starlight Music who has a double life as a pop star by virtue of a hologram but technology has moved on. Starring TV’s Nashville songstress Aubrey Peeples as the orphaned girl Jerrica Benton whose spectacular singing voice brings her stardom via the internet (that vehicle for epic narcissism). She is still in mourning for her father, who appears to her in a pre-recorded hologram and gives her strength, materialising from a little robot that bears a striking resemblance to Star Wars‘ BB-8. Peeples was probably cast not merely for the power of her pipes but for the very K-Stewness of her appearance: she even has one side of her head shaven to resemble her at one point (in one of the several wigs she’s made wear.) She and her sister Kimber have two foster sisters out of juvie and Molly Ringwald is her aunt Bailey (when her face is in repose she’s barely recognisable: that’s how long it’s been since we’ve seen her). They all live in one happy multi-ethnic home which is going to be repossessed in 30 days so that’s how long they have to become stars and make money. The skinny ruthless manager Erica Raymond who sees them online is played very well by Juliette Lewis as (presumably) a figure she might be familiar with in her own offscreen rock career and she does it very well as a sort of wicked stepmother to the Cinders girl who feels cornered when confronted with a solo contract and is rechristened Jem. Erica has a handsome son who fancies ‘Jem’, that enigmatic character who is, ultimately, what her audience decides she is …. A product of that well-known pop auteur, Scooter Braun, presumably on an off-day from managing someone he found online. I don’t remember a single song but I believe that’s probably not the point.