Ugly does as ugly is: there’s a lesson here, folks, Beware ugly people and that means Jack Palance, an actor rather limited by his foreboding appearance. What he lacked in looks he made up in horrible intensity. In this B-movie adaptation of Marie Belloc Lowndes’ fictionalised Ripper tale, The Lodger (already done by Hitchcock and John Brahm) he’s the self-proclaimed pathologist renting a room in London c1888 from Helen Harley (Frances Bavier), whose niece, dance hall performer Lily Bonner (Constance Smith) responds to him and ignores warnings about his odd behaviour while all around her London looks for Jack. Hugo Fregonese directs an oft-told tale with surprising dexterity, the theatrical shows are well staged, it’s commandingly shot by Leo Tover, Palance goes off the rails as only he can and it’s great to see Smith, Ireland’s answer to Hedy Lamarr, giving her considerable all as the decent, naive Parisian veteran – surely a contradiction in terms. Adapted by Barre Lyndon and Robert Presnell Jr, edited by the marvellous Marjorie Fowler.