A film that practically embodies the term Psychosexual. Brian de Palma’s outrageous, explicit Hitchcockian homage (some might say rip off, Hitch called it fromage) still has the power to shock, with its jawdropping opening sequence – married Kate Miller (Angie Dickinson) masturbating in a shower while her lover shaves in a mirror. She fesses up to her psychoanalyst Robert Elliott (Michael Caine) that she’s faking it because her lover’s not really up to it then asks him if he’s attracted to her. She does the Vertigo shtick at the Metropolitan in Kim Novak’s off-white coat and when she drops a glove (fetish alert!) she attracts a man in shades (another warning). He gets her off in a taxi (yes, this has to be seen to be believed) then wakes up to find a medical notice in his apartment …. and enters an elevator to leave the building when she suddenly remembers her wedding ring and presses the button to return to the scene of the extra-marital crime … You had me at hello!!! Call girl Liz (Nancy Allen) is the only witness to the murder – while the killer is a mysterious tall blonde in shades. Dickinson’s teenage inventor son Keith Gordon plays private dick, Allen becomes the woman in peril stalked by the tall blonde in shades, the shrink gets taunting messages from Bobbi, a transgender patient, and it all ends just the way you want: blonde on blonde. Crazy, classic warning cinema – beware of shrinks and nooners! The soundtrack by Pino Donaggio is brilliant. Wild!