This is the VHS cover of a TVM sequel that scares the bejesus out of me – and with good reason. I’ve never been good with diabolism and the actor Stephen McHattie (who I loved since he played James Dean in the 1976 TVM) seems like he really could be the son of John Cassavetes from the Polanski masterpiece. And this was made the same year, so I guess it was kind of a moment for him, as they say. Little Andrew as his mom Patty Duke Astin calls him is needed for a ritual but she smuggles him out of NYC and then a madam (Tina Louise) does a deal with the coven to take him herself and Patty gets taken away screaming on a driverless bus… Suddenly Andrew’s all grown up and in constant trouble with Sheriff Broderick Crawford and startled by memories of his parents and Uncle Roman and Aunt Minnie are not too thrilled with his behaviour either: Ray Milland and particularly Ruth Gordon chew the scenery wonderfully as the devilish old pair who chide him over his lack of responsibility to his pop. Their bickering is the best thing about this. His human pop Guy Woodhouse (George Maharis) has carved out a Hollywood career which now looks like it might slide into oblivion thanks to his ingrate son. Andrew’s new female friend, Ellen (Donna Mills) gets him out of a psych ward – well, isn’t that where you end up if you claim you’re the Son of Satan – and strikes a deal with the Castevets … The devil is in the detail, isn’t he. Sigh. This is not a worthy follow up to a classic. It was adapted from Ira Levin’s characters by Anthony Wilson who worked on Planet of the Apes and The Night That Panicked America (with Nicholas Meyer). He died two years after this was made. Another point of interest for buffs: this was directed by editor Sam O. Steen, who edited Rosemary’s Baby and he is reunited here with cinematographer John A. Alonzo from their teaming on Chinatown, another great Polanski film. Ah, cinema. Not your average TVM then – at least in terms of the talent!