It is a truth universally acknowledged that Ken Loach has been a thorn in the side of the establishment since he started working in cinema, and television, for that matter. His films are roars against social injustice and this is in many ways his most successful in many years. Dave Johns is Dan, a widowed carpenter trying to get social welfare benefits when his GP tells him he can’t go back to work after a heart attack. Yet his jobs ‘decision maker’ disagrees because he can walk 50m and raise his arms without dying. He has to go through the kind of hoops – unending online form-filling – calculated to make anyone give up: thus are the unemployment figures massaged/reduced. This is what the director has called the “intentional inefficiency of bureaucracy as a political weapon.” At one such pointless visit to the job centre he observes Katie (Hayley Squires) and her kids, newly arrived from London, being similarly mistreated. They strike up a fast friendship and while their circumstances deteriorate he becomes fond of her and her family but they end up taking strikingly different if equally extreme actions to try to escape total poverty and starvation – there’s a scene in a food bank which is just wrenching. In terms of what actually goes on, their plights are just the tip of the iceberg – one UK acquaintance deemed long-term unemployed after 3 months has to apply for 250 jobs a week (everything from cleaning blood in abattoirs to running the BBC – whatever it takes to shut up these thugs. And all for £80). As Dan says at a ludicrous CV workshop, “what’s the point, you’re getting us to apply for jobs that don’t exist.” His handwritten effort and his personal appeals to potential employers “aren’t good enough” for the bureaucrats tasked with stopping the unemployed having a roof over their heads because there’s no online trail. (And if you don’t know, 40% of the world’s jobs are forecast to disappear by 2032 and I don’t see the population getting smaller – quite the opposite, it’s out of control and on the move north and west. The devastation is just beginning.) This is brutally emotional stuff at the end. Paul Laverty’s script is fantastic and this is unexpectedly funny and heartbreaking.