You should be in jail and I should be in bed. Super stylish Sixties Art Nouveau heist comedy about a painting forger Bonnet (Hugh Griffiths) whose daughter Nicole (Audrey Hepburn) needs to steal back a famous but fake statue (by her grandfather) that he’s loaned to an art museum and does it with the aid of a thief Simon Dermott (Peter O’Toole) – who’s actually a private detective investigating this sort of thing. Harry Kurnitz adapted the 1962 story Venus Rising from a collection about art forgeries by George Bradshaw and despite its overlength it coasts on the sheerly delightful charm of the leads and some very sparky dialogue. Charles Boyer has a blast as O’Toole’s boss and you’ll recognise the chief security guard at the museum Jacques Marin because he played the chief of police in Hepburn’s earlier Parisian comedy thriller, Charade. Eli Wallach is an industrialist who feigns romantic interest in Hepburn to get at her grandfather’s work and there’s an outstanding score by John Williams as well as to-die-for production design. Givenchy dressed Hepburn – mais quoi d’neuf? Directed by William Wyler reunited with Hepburn 13 years after Roman Holiday. Bliss.