Nations fall when they lose their sense of humour. Jane Hoyt (Susan Hayward) arrives in Hong Kong looking for her missing photojournalist husband Louis (Gene Barry). He’s been kidnapped by the Chinese. She seeks help from an American smuggler (or shipping magnate!) Hank Lee (Clark Gable) but winds up trying her luck on Macau with Fernand Rocha (Mel Welles). However her guide is taken by the Communists en route and Rocha locks her up and gambles her money. Lee finds out from hard-drinking Rene Dupont Chevalier (Alexander D’Arcy) that Jane is probably in trouble and he uses one of his junks to travel, taking police Inspector Merryweather (Michael Rennie) against his will to ensure their safety… When Gable and Hayward meet there’s an instant attraction and one of the good things about Ernest Gann’s adaptation of his own novel is the dagger-like lines that he bestows upon each character in turn, and when she says this to Gable it’s knockout: To me mister, you’re just a gangster, a throwback. I hope you enjoy living with yourself. Somehow it plays right into what we know of Gable from his past roles and the sense of the impending end of her marriage when she eventually reunites with her husband is written in the stars. The texture of this drama is aided immeasurably by the location photography – those HK streets really buzz , while the typical ex-pat scene of lowlifes and barflies populating the seedy Tweedie’s where so much of Jane’s learning curve occurs makes some of the action pop. The final escape from Macau into Hong Kong harbour is really something. Hayward couldn’t shoot her scenes locally because she was stuck in the US in the middle of a divorce so a stand-in was used in a few shots but it’s all very well handled by Edward Dmytryk.