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Assassin’s Creed (2016)

Assassin's Creed theatrical

You’re not alone Cal. You never were. Callum Lynch (Michael Fassbender) is removed from prison where he is serving time for murdering a pimp. He’s taken to a futuristic laboratory where he’s subjected to mind-bending experiments that take him back in time to 15th century Spain, 1492 in fact. He’s transported through his genetic memory to his ancestor Aguilar de Nerha who was a member of secret society The Assassins who battle to preserve free will from the Knights Templar. In the present it transpires that his doctor Marion Cotillard and her father Jeremy Irons want to retrieve the Apple of Eden to dominate the world and stop man’s disobedience. Or something. Dreadfully written by Michael Lesslie, Adam Cooper and Bill Collage, indifferently performed by producer/star Fassbender and everyone else (including the director’s marvellous wife Essie Davis who gets the insulting role of Fassbender’s murdered mother), and horribly made by director Justin Kurzel, this is an adaptation of a video game apparently. The funny thing is that uniquely – in these days of telling the entire story in advance – the trailer was really enticing aside from Fassbender’s incomprehensible diction. Yet the film itself makes you want to lose the free will to live. Now can somebody please supply me with the technology to get these two hours back and forget I ever had to endure this tripe?

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About elainelennon

An occasional movie-watching diary.

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