It is not by a sword that He will deliver His people but by the staff of a shepherd! When Rameses I of Egypt orders the killing of all firstborn Hebrew babies the baby Moses (Fraser Heston) is put in a basket on the Nile and is found in the bulrushes and taken in by the pharaoh’s daughter. Moses (Charlton Heston) grows up to lead armies, drive slaves and live a life of luxury, falling for the princess Nefretiri (Anne Baxter). But when he discovers his Hebrew heritage and God’s expectations of him it brings him into conflict with his ‘brother’ Rameses II (Yul Brynner). He dedicates himself to liberating his people from captivity and – with the aid of plagues and divine intervention – leads them out of Egypt and across the Red Sea. A greater challenge comes in the form of the golden calf idol which drives believers to sin. It takes a visitation by God on Mount Sinai for Moses’ mission to prevail. Cecil B. DeMille liked this story so much he made it twice, once in the silent era and then again with even more spectacular visual effects three decades later. And what a vision this is: the building of the pyramids, the burning bush, the Voice of God, the parting of the Red Sea… Heston is in his element (and some very flattering short skirts) as the man whose amazing physical and spiritual transformation from slave owner to man of God leads the Israelites to their destiny. Adapted from a number of sources by the rather intimidated scribes Aeneas MacKenzie, Jesse L. Lasky Jr., Jack Gariss and Frederic M. Frank: Dorothy Clarke Wilson’s Prince of Egypt; Pillar of Fire by J. H. Ingraham; On Eagle’s Wings by A. E. Southon; and the Book of Exodus. There were many other historical documents sourced for narrative clarity (to fill in those pesky gaps). With a soundtrack by Elmer Bernstein and cinematography by Loyal Griggs this still holds the attention with its cunning juxtaposition of sex and death, crime and punishment, cruelty and retribution, mothers and sons. Truly a Biblical experience, filmed on location in Egypt and Sinai. DeMille’s final film, this is magnificently hokey and splendidly spectacular. Where the holiday season begins. One of the longest films ever made for the shortest day of the year. Let my people go!