He was so important for somebody who never made himself noticed. The mystery behind actor/director Leslie Howard’s death on Flight 777 out of Lisbon in 1943 is the framing story for this highly personal documentary. Far from being an English gentleman, he was the son of Anglicised Jew Lilian Blumenberg and her Hungarian Jewish husband Ferdinand Steiner. Her family so disapproved of the match that he was reared in Vienna speaking German before they were accepted and returned to London. Early success on the London stage made him turn to cinema, which he preferred, setting up his own production company which lost money on four comedies, leading him to Broadway where he became an instant success and the matinee idol du jour. He took roles in Hollywood including in Clarence Brown’s A Free Soul opposite a young Clark Gable whom he didn’t think much of – and nine years later, during which he became a superstar back in British films, they were reunited on the set of Gone With the Wind when Gable was the King of Hollywood and Howard felt he was miscast as Ashley Wilkes, the English gentleman as the Southern gentleman. His backing of Humphrey Bogart in the role of Duke Mantee which he played on Broadway for the adaptation of The Petrified Forest led to a long friendship and Bogart named his daughter in Howard’s honour. The start of WW2 exercised his conscience greatly and he not only made films dedicated to the war effort (because Britain was in it alone for the first couple of years by and large) he spoke out on radio and started directing himself. This is an enormously intimate piece of work – it features several excerpts from interviews with his daughter Leslie Ruth whom he adored and gave up his proposed marriage to Merle Oberon when the actress disliked the little girl. He had a string of affairs but a steady homelife with his wife and children kept him stable. This is simply overflowing with amazing archive footage including home movies and there are telling interviews with colleagues such as Michael Powell and Norman Spencer, his assistant director. It is narrated by an extraordinary individual, Derek Partridge, the little boy (and son of a Government agent), now a presenter, who gave up his seat for Howard on that fateful flight when at least four other passengers were valuable targets for the Germans. This is a compelling film, written and directed by Thomas Hamilton with a beautiful score by Maria Antal.