What originally attracted me was the magnificent way you were all so loyal. Miss Trant (Celia Johnson), a philanthropic, adventure-seeking spinster, joins forces with songwriter Inigo Jollifant (John Fraser) and the newly unemployed Jess Oakroyd (Eric Portman) to re-energize a faltering musical theater troupe, the Dinky Doos who purvey their ramshackle show throughout the English provinces much in the way they did twenty-five years earlier. Although rock ‘n’ roll, striptease and television are about to capture the world’s attention, the troupe revels in its sense of community, and Jollifant falls for the star, Susie Dean (Janette Scott), who ultimately gets her chance on the West End…. The romance between the leads provides much of the subplotting in this second (musical) adaptation of J. B. Priestley’s popular 1930s classic but Scott plays her part a little too low key compared with Hollywood style and it’s really the backstage situations which arouse interest here and the occasionally showy cameos by personalities – Anthony Newley shows up and advises Fraser, Anybody can write a concerto, it takes a composer to write a pop! Joyce Grenfell does her bit with aplomb (providing another somewhat unexpected romance subplot) and when a fight breaks out in a theatre it’s rather fun to watch Thora Hird (who’s Portman’s missing wife) bash people with an umbrella. Hugh Griffith as the twitchy old trouper Morton Mitcham is always worth watching. The score and songs by Laurie Johnson aren’t particularly memorable but the final musical scene-sequence is quite well achieved and Gilbert Taylor’s colour cinematography is very warm. Rather charming, in its own way if not always appropriately staged (how ironic). Adapted by J. L. Morrison and T. J. Hodson and directed by J. Lee Thompson, if you can credit it!