Don’t worry about her. She took her toothbrush so she’s not gone to the river. Stanley Banks (Spencer Tracy) reminisces about the year since his beloved daughter Kay (Elizabeth Taylor) got married to Buckley Dunstan (Don Taylor). Wife Ellie (Myrna Loy) takes Kay’s baby news in her stride but Stanley is undone, particularly when Kay regales him with the ideas her gynaecologist has for her mothering style – carrying the baby on her back for two years doing the housework and swinging him around to feed him every so often. The wealthy in-laws (Moroni Olsen and Billie Burke) take over the young couple’s new home leaving Stanley feeling quite useless. They all swamp Kay with ideas about what the new arrival should be called. She leaves Buckley, believing him to be having an affair when he claims to be working late and returns home where Stanley works out a diplomatic reunification. When the baby boy is born he doesn’t like Stanley and the rejected grandfather ignores him until the parents leave him in his and Ellie’s care for a weekend and he manages to lose him … The sequel to Father of the Bride (one of the first in Hollywood) with the same winning cast, this is worth catching for Tracy alone: his facial expressions are classic. Written by Frances Goodrich & Albert Hackett, from Edward Streeter’s characters and directed once again by Vincente Minnelli. Partly remade 45 years later by Nancy Meyers, this is a really good account of marriage and family and abounds in charm.