Oh, I belong to that new minority group: white American jazz musicians. They’re going to hold a mass meeting in a phone booth. Up-and-coming jazz drummer Johnny Cousin (Patrick McGoohan) wants to start his own band, but he needs a singer. He attempts to court Delia Lane (Marti Stevens), a famous singer who’s retired now but when it’s clear that Delia won’t perform with him, he tries to convince Delia’s husband African-American band leader Aurelius Rex (Paul Harris) that she is cheating on him with road manager Cass (Keith Michell). His attempts to end their marriage may well cost Johnny his own over the course of a very eventful night … Practically the embodiment of cult, this reworking of Othello is notable not just for being a screenplay co-written by HUAC-blacklisted Paul Jarrico (under the name of Peter Achilles) with Nel King, but for its outstanding array of notable jazz figures – Dave Brubeck, Johnny Dankworth, Charlie Mingus, Tubby Hayes – in an atmospheric and melodramatic tale that features mixed-race marriage and drug-taking. There’s marvellous dockside action and tasty East End scene-setting with McGoohan giving one of his best performances pre-The Prisoner in his take on the malevolent Iago and some good support from Keith Michell, Betsy Blair and Richard Attenborough’s role as a hipster millionaire is certainly memorable. Definitely one for music fans with some sensational tunes. Look fast for Carol White. Produced by that reliable team of progressives, producer Michael Relph and director Basil Dearden. Be seeing you.