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Raising Arizona (1987)

Raising Arizona

Ed felt that having a critter was the next logical step.  When incompetent convenience store robber  H.I. ‘Hi’ McDonough (Nicolas Cage) marries policewoman Edwina ‘Ed’ (Holly Hunter) after she takes his mugshots, they discover that she is infertile. In order to appease Ed’s obsessive desire for a child,  Hi steals one of a set of quintuplets born to Nathan Arizona (Trey Wilson), mega rich owner of a chain of furniture stores. Mayhem ensues when his former cellmates, brothers Gale and Evelle Snoats (John Goodman and  William Forsythe) break out and turn up on their doorstep and the child’s rich father sends a rabbit-shooting bounty hunter biker – the Lone Biker of the Apocalypse – after the kidnappers…  Everything’s chAAAnged! With hysterical overacting turns, a set piece chase to rival the best of them – all over a packet of diapers – an incredible prison break, and a winning set of adorable blond babies, this sophomore outing by the Coen Brothers divided critics after their dark-hearted debut, Blood Simple. It fizzes with photographic flourishes, nonsensical action and witty lines, with hyper-exaggerated enunciation (take a bow, Ms Hunter!) and dog-tired impersonation (by Cage) of a desperate father belatedly realising when there’s a new baby in the house that life will truly never be the same again. The meal-time pelting by his in-laws’ children crystallises his hapless sorrow.  With bravura cinematography by Barry Sonnenfeld, a yodel-along score by Carter Burwell and sparky performances by the entire cast, this is highly charged, effervescent and exuberant, practically exhorting the audience to dislike it as it races over the top and into the fantastical abyss in order to emerge with glee. Y’all without sin can cast the first stone

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About elainelennon

An occasional movie-watching diary.

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