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A Simple Favour (2018)

A Simple Favor.png

Are you going to Diabolique me?  Perky smalltown single mom and vlogger Stephanie (Anna Kendrick) is swept away by her new friendship with the glorious Emily (Blake Lively) PR director to obnoxious NYC fashion maven Dennis Nylon (Rupert Friend), too busy in her professional life to do anything but show up occasionally to collect her little son from school. While fellow moms inform Stephanie that she’s just a free babysitter she’s convinced she and Emily are best friends because they bond over a daily martini at Emily’s fabulous glass modernist house until one day she gets a call from Emily to look after her kid and Emily doesn’t return. Stephanie’s daily vlogs get increasingly desperate as the days wear on. After five days she can’t take it any more. She gets embroiled in a search along with Emily’s husband, the blocked author Sean Townsend (Henry Golding) for whom she has a bit of a thing until she decides to dress up and play Nancy Drew when she discovers Emily had a very good life insurance policy… She’s an enigma my wife. You can get close to her, but you never quite reach her. She’s like a beautiful ghost.  While the world gets its knickers in a twist about female representation along comes Paul Feig once again with an astonishing showcase for two of the least understood actresses in American cinema and lets them rip in complex roles that are wildly funny, smart and pretty damned vicious.  This adaptation by Jessica Sharzer of Darcey Bell’s novel has more twists and turns than a corkscrew and from the incredible jangly French pop soundtrack – which includes everyone from Bardot & Gainsbourg and Dutronc to Zaz – to the cataclysmic meeting between these two pathological liars this is bound to end up in … murder! Deceit! Treachery! Nutty betrayals! Incredible clothes! Lady parts! Revelations of incest! Everything works here – from jibes about competitive parenting and volunteering, to the fashion business, family, film noir, Gone Girl (a variant of which is tucked in as a sub-plot), heavy drinking, wonderful food, electric cars.  And again, the clothes! Kudos to designer Renee Ehrlich Kalfus who understands how to convey personality and story. Never wear a vintage Hermès scarf with a Gap T-shirt. If you were truly Emily’s friend, you would know that It’s wonderfully lensed by John Schwartzman, one of my favourite cinematographers and the production design and juxtapositions sing. This is an amazing tour of genres which comes together in two performances that are totally persuasive – in another kind of film Kendrick and Lively might have to tell each other You complete me:  the shocking flashbacks to their pasts (which are both truthful and deceitful) illuminate their true characters. This is that utter rarity – a brilliantly complicated, nasty and humorous tale of female friendship that doesn’t fear to tread where few films venture. It’s an epic battle of the moms. Film of the year? I’ll say! I am so glad that this is the basis of my 2,000th post. Brotherfucker!  MM#2000

 

About elainelennon

An occasional movie-watching diary.

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