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The Killing of a Sacred Deer (2017)

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Our two children are dying in the other room, but yes, I can make you mashed potatoes tomorrow. Cardiothoracic surgeon Steven Murphy (Colin Farrell) secretly befriends a teenage boy Martin Lang (Barry Keoghan) with a connection to his past. He introduces the boy to his family, his wife Anna (Nicole Kidman) and son Bob (Sunny Suljic) and daughter Kim (Raffey Cassidy) who begin to fall mysteriously ill… Something to put an end to all of this. That’s what I want. Can you do that? You do realize Steven, we’re in this situation because of you Those ancient Greeks knew how to plot a good play:  Euripides might be turning in his grave but Greek auteur Yorgos Lanthimos likes to upend expectations and in this interpretation of Iphigenia which we have seen a couple of times in the work of Taylor Sheridan in the Sicario films we are in the realm of the family romance in the Freudian sense. Those guys are great screenwriters! Adapted by the director with Efthymis Filippou, we are transported into a world like our own but slightly off, flatter and affectless with performances that have narrowed to the point of dramatic device. There are disturbing moments:  the opening, during a failed open heart surgery;  when Anna plays as though under anaesthetic to turn on Steven; Martin’s mother (Alicia Silverstone) coming on to Steven;  the revenge that Martin exerts on Steven and what Steven does to carry it through.  Keoghan’s entire presence is disturbing, only hinted at by his odd appearance.  The whole narrative is probably a joke about doctors playing God. Lanthimos’ films are an acquired taste and it is probably through the well-judged performances that the psychological horror shines in the black comedy and vice versa – despite its origins, this is drama without history, backstory or future.  A surgeon never kills a patient. An anaesthesiologist can kill a patient, but a surgeon never can

About elainelennon

An occasional movie-watching diary.

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