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The Bridges of Madison County (1995)

The Bridges of Madison County.jpg

This kind of certainty comes but once in a lifetime. When the daughter Carolyn (Annie Corley) and son Michael (Victor Slezak) of Italian war bride mother Francesca (Meryl Streep) return to Iowa for her funeral they discover among her belongings evidence of a four-day extra-marital affair she had in 1965 with Robert Kincaid (Clint Eastwood) who was photographing covered bridges for National Geographic magazine. As they uncover the story and the secret she kept for decades, they recognise some truths about their own relationships … I don’t want to need you – because I can’t have you. Time was, author Robert James Waller was trawling the world’s talk shows, hawking his book and singing his songs and that was only in the Nineties. And it’s absurd to think of it now, but Clint Eastwood is still directing movies so this can be described as middle-period Clint. He and Streep (doing Anna Magnani in some scenes) are phenomenal together – have we ever seen them be so appealing, so vulnerable, as these middle aged lovers who’ve been around the block and been burned and bored and now find this wondrous once in a lifetime love?  Adapted by Richard LaGravenese from the slim bestseller, this is a long, slow, languorous look at a couple who know it’s now or never, flawed perhaps only by over length and the framing story doesn’t really add to the experience (this was the idea of Steven Spielberg, who originally planned on directing).  Nonetheless it’s totally satisfying, filled with nuance and passion and detail, and if you don’t shed a tear when those windscreen wipers are going from side to side, in that classic penultimate sequence, well, face it, you’re already dead. Wonderful. You never think love like this is ever going to happen

About elainelennon

An occasional movie-watching diary.

One response to “The Bridges of Madison County (1995)

  1. Surprisingly good. BTW, because of the movie, I went to Iowa to see the bridges and they are indeed beautiful. 🙂

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