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Hotel Artemis (2018)

Hotel Artemis.png

No killing the other patients – rule number one.  How many times do I gotta say it?  Rioting rocks a dystopic drought-ridden Los Angeles in 2028 and disgruntled thieves Waikiki/Sherman (Sterling K. Moss) and Lev (Brian Tyree Henry) make their way  following a heist to Hotel Artemis – a 13-storey, members-only hospital for criminals run by ageing Nurse/Jean Davis (Jodie Foster) a no-nonsense, hard-drinking, high-tech healer who already has her hands full with a French assassin Nice (Sofia Boutella) who’s injured herself to gain entry to carry out a job for Detroit; Acapulco (Charlie Day) an obnoxious arms dealer; when an injured cop Morgan (Jenny Slate) who knew Jean’s late son begs for help. As the violence continues outside, the Nurse must decide whether to break her own rules as she gets the call that Malibu Mob boss the Wolf King (Jeff Goldblum) is on his way in for treatment in the care of his son and heir Crosby (Zachary Quinto) Twenty years we’ve never let anyone in who wasn’t a member. Now you wanna let in a cop? Decisions decisions! Harder than ever to make in the dark as the power keeps cutting out and the production keeps the lighting budget low to try and highlight Foster’s performance as a crew of uglies decide how to best kill each other while she discovers the truth behind her son’s OD death. A kind of pointless vision of future shock since it’s already here and John Carpenter and Ridley Scott did it all thirty-five years ago. All that’s new is Dave Bautista minus his usual superhero makeup as Nurse’s sidekick. If you want to see Father John Misty (who wrote the song Gilded Cage for the movie) you had better bring a torch. Written and directed by Drew Pearce and produced by the sons of John le Carré, if you can believe it. Cops kill poor people, poor people kill cops. Circle of life

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About elainelennon

An occasional movie-watching diary.

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