Posted on

The Children Act (2017)

The Children Act.jpg

Life is more precious than dignity. London High Court judge Fiona Maye (Emma Thompson) must decide if she should order a life-saving blood transfusion for a teen with leukaemia Adam Henry (Fionn Whitehead) despite his parents’ (Ben Chaplin and Eileen Walsh) refusal to accept medical treatment because they are Jehovah’s Witnesses. Fiona’s home life adds extra pressure to the decision-making – she is deep in the middle of a marital crisis because her academic husband Jack (Stanley Tucci) declares his wish to pursue an affair with a colleague. She decides she must do something unconventional during the court case and pays a visit to Adam in hospital … Don’t you remember how we were? Don’t you miss that? This issue film is adapted by Ian McEwan from his novel and boasts a stunning performance from Thompson as the woman daily challenged by ethical matters which have life-enhancing (or -ending) consequences. Richard Eyre directs with customary rigour and nuance in beautifully photographed settings in the Law courts and the English countryside but it feels somewhat like flogging a dead horse, as it were, failing to offer a robust counter-argument to the rationale of assisting a person in peril, making Thompson’s Herculean efforts seem somewhat … in vein?! Perhaps it’s a topic better suited to the likes of Jodi Picoult but the interesting plot turn which suggests a much deeper seam of emotion is not exploited as deeply as one would hope. This court is a court of law not of morals

About elainelennon

An occasional movie-watching diary.

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out /  Change )

Google photo

You are commenting using your Google account. Log Out /  Change )

Twitter picture

You are commenting using your Twitter account. Log Out /  Change )

Facebook photo

You are commenting using your Facebook account. Log Out /  Change )

Connecting to %s