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The Girl in the Spider’s Web (2018)

The Girl in the Spiders Web.png

They told me I’d have control over it but they lied. Fired from the National Security Agency, Frans Balder (Stephen Merchant) recruits infamous computer hacker Lisbeth Salander (Claire Foy) to steal FireWall, a computer programme he has created that can access codes for nuclear weapons worldwide and he wants to disable it before it falls into the wrong hands. The download soon draws attention from an NSA agent Edwin Needham (Lakeith Stanfield) who traces the activity to Stockholm where he’s warned off interfering on arrival by Gabriella Grane (Synnove Macody Lund) deputy director of the Swedish Security Service. Further problems arise when Russian thugs take Lisbeth’s laptop and kidnap a math whiz who can make FireWall work. When Frans is murdered and his young autistic son August (Christopher Convery) is kidnapped Lisbeth must race against time to save the boy and recover the codes to avert disaster but a series of violent obstacles lead her to ask journalist ally Mikael Blomkvist (Sverrir Gudnason) for help and he understands that the roots of her problem lie within her own family and the sister Camilla (Sylvia Hoeks) whom she says is dead I think you are scared of what would become of Mikael Blomkvist if there was no Lisabeth Salander. It’s not really about Mikael, actually, because it’s about family and the violence within and what Lisbeth left behind. Adapted by director Fede Álvarez, Steven Knight and Jay Basu from the eponymous novel by David Lagercrantz, a sequel to the Millennium Trilogy by the late Stieg Larsson, this forms a sequel of sorts to David Fincher’s adaptation of The Girl With the Dragon Tattoo whose audience reception apparently caused him to lose interest in continuing the series and there’s a total change in casting and emphasis. It starts with a flashback to sex abuse in Lisbeth’s family, with a pervert father and an abused sister who cannot reconcile Lisbeth’s crusade against men who harm women:  Lisbeth left her behind and Camilla has pursued her father’s career with Russian gangsters. The jeopardy with the kidnapping of August produces emotional resonance but everything else is rather by the numbers considering the depth of backstory and Foy’s performance, supplanting earrings and bodily markings with characterisation in what is a kind of origin story. The sisters’ face off (literally – involving S&M and stopping Lisbeth breathe) is one of the film’s highlights, another is a motorcycle escape across an icy Swedish lake and there’s a nice turnaround featuring techie expert Plague (Cameron Britton) working in cahoots with Edwin, but otherwise it’s quite a muted and unenergetic thriller with a rather silly plot, seemingly shot in Stockholm’s yellowy grey mornings at dawn, and not exactly an advert for the tourism business.  I bet you can’t wait to write a story about all this

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About elainelennon

An occasional movie-watching diary.

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