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IT Chapter Two (2019)

It Chapter Two

I can smell the stink of fear on you.  Defeated by members of the Losers’ Club, the evil clown Pennywise (Bill Skarsgård) returns 27 years later to terrorise the town of Derry, Maine, once again and children start disappearing. Now adults, the childhood friends have long since gone their separate ways and are scattered over the US. Town librarian Mike Hanlon (Isaiah Mustafa) calls the others home for one final stand. Bill Denbrough (James McAvoy) is a successful mystery novelist in Los Angeles married to successful actress Audra Phillips (Jess Weixler). Like the others he is haunted by what happened but mostly because he has forgotten or blocked things from his mind – he sought revenge for the loss of his little brother Georgie. His on-set issues with the director (Peter Bogdanovich) of and adaptation of one of his novels arise from the ending which nobody likes, not even his wife, who’s been lying to him for years. Bespectacled and foul-mouthed Richie Tozier (Bill Hader) has become a successful stand-up comic in Los Angeles.  The overweight little boy Ben Hanscom (Jay Ryan) is now a handsome successful architect living in Nebraska. Hypochondriac Eddie Kaspbrak (James Ransone) is a risk assessor in NYC and his marriage to Myra seems to mirror his relationship with his mother. Georgia accountant Stanley Uris (Andy Bean) cannot bear the idea of a return to the town because he is simply too afraid. The group’s only girl Beverly Marsh (Jessica Chastain) is a successful fashion designer whose violent marriage replicates the bullying she endured as a child. Damaged by scars from the past, the united Losers must conquer their deepest fears to destroy the shape-shifting Pennywise – now more powerful than ever… You know what they say about Derry. No one who dies here ever really dies. The second half of Stephen King’s IT has a lot to overcome 2 years after the first instalment and 29 years after it was brought to the TV screen in a mini series. Burdened by over-expectation, hype, and a (mis)cast lacking chemistry, this sequel to the beloved and hugely successful first film aspires to the condition of Guillermo Del Toro movies for some percentage of its incredibly extended running time and wastes a lot of it delving into the past in several rather unnecessary flashback sequences in which some transitions work brilliantly, others not so much. However the mosaic of personal history and occasional flashes of insight accompanied by some black humour restore the narrative equilibrium somewhat even if we all know this is not really about some clown-spider hybrid living in the sewer beneath a small town in Maine. Bill’s arc with his writing is a metaphor for the need to find an ending to a lifetime of latent fear for all the protagonists (it hasn’t stopped him being a bestseller). Grappling with the psychological impact of trauma, child abuse and guilt, this movie is all about burying their root cause:  way to avoid therapy, dude. Surely Pennywise is the ultimate recidivist in a movie where home is a word not just to strike fear but actually has to be carved into someone’s chest rather than being uttered aloud. This is a group of adults who notably have not reproduced.  In the attempt to join up all their experiences coherently there is a ragged logic but it tests the viewer’s patience getting there and after a protracted standoff with Pennywise there is a partly satisfying conclusion where the past has to be physically revisited and replayed, even if the film never reaches the emotional depths or charm one would expect, perhaps because the reality of Pennywise is not more artfully probed:  those character threads are left fraying at the edges. A delight lies in seeing author King playing the pawnbroker selling Bill his old bike and refusing Bill’s offer to sign his novel  – because he doesn’t like Bill’s endings. It could be King’s comment on half the films he’s seen adapted from his own books, especially relevant in a movie that quotes The ShiningAdapted by Gary Dauberman and directed by Andy Muschietti.  You haven’t changed anything yet. You haven’t changed their futures. You-you haven’t saved any of them

About elainelennon

An occasional movie-watching diary.

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