I’m a refugee, not a traitor. During the Cold War, a Russian jet enters air space over Alaska and is escorted to an American air base. The pilot turns out to be a woman – Anna Marladovna (Janet Leigh). She claims to be defecting and demands asylum but refuses to provide information on Soviet activities. USAF Colonel Jim Shannon (John Wayne) receives orders to befriend her in order to win her confidence and gather information. The pilots compete with each other but gradually fall in love. When it appears Anna may be deported, Jim marries her – only to discover that she may be a spy and his mission to seduce her may have played right into her hands … This might be some new form of Russian propaganda. Shot between 1949 and 1951 by a likely uninterested auteur Josef Von Sternberg, producer Howard Hughes was basically reworking Hell’s Angels and spent a staggering seven years messing about with the edit before unleashing it upon an unsuspecting world. Despite its terrible reputation it’s mostly played for laughs with a first indication when sound effects literally trumpet Leigh’s stripping off her commie uniform. Naturally a woman that beautiful can’t be trusted, so the inevitable honeytrap is set. This is meat and drink to writer Jules Furthman and it’s all done with tongue firmly in cheek with the bonus of some incredible aerobatic cinematography from Winton C. Hoch. My favourite line? The one that provides a running joke and hints at a more lauded Leigh film a decade later: Do you stuff birds too? A total hoot.