Has there ever been a better-looking London film? Not in black and white. From the titles on the sides of buses and on advertising hoarding and in neon lighting, to the exotic costumes enhancing the performances by kitchen maid turned star Shosho (Anna May Wong) in the titular nightclub, this tale of infidelity, deception, jealousy, murder, sex, race and class remains a thrilling parade. Wong is stunning. Directed by German great EA Dupont from a screenplay by Arnold Bennett, I’ve written about it here: www.offscreen.com/view/peccadillo-piccadilly.