The Tamarind Seed (1974)

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She could be one of our most important agents over here. On holiday from her job in the civil service at the Home Office, Judith Farrow (Julie Andrews) heads to the Caribbean after ending a love affair with married Government minister Richard Paterson (David Baron). On Barbados she is befriended by debonair Russian Feodor Sverdlov (Omar Sharif). The two quickly fall in love despite his married status, but Judith’s feelings are tested when Sverdlov is revealed to be a Russian agent eager to win her over to his cause. Back in London, intelligence officer Jack Loder (Anthony Quayle) is aware of a mole in the Government and is convinced Sverdlov is trying to recruit Judith as a Soviet spy.  She is instructed never to see him again, but can’t shake the attachment and soon finds that both of their lives are in danger … With titles by Maurice Binder and a resonant piano-based score by John Barry, you’d almost think you were in a James Bond film. Blake Edwards’ adaptation of Evelyn Anthony’s 1971 novel is true to its sense of high romance, urgent drama and deep-seated tensions stemming from the clash of ideologies pulsing beneath the lust. Andrews and Sharif are extraordinarily well-matched in this stylish epic, with gorgeous photography by Freddie Young in what is a charged if relatively well-heeled and glossy depiction of the Cold War, with betrayal and assassinations and embassy parties. Perfect for a dull September evening. A few days to convince her that she is doing it for love

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Anatomy of a Murder (1959)

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You save that jiggle for your husband.  Semi-retired Michigan lawyer Paul Biegler (James Stewart) takes the case of Army Lt. Frederick Manion (Ben Gazzara), who murdered local innkeeper Barney Quill after his wife Laura (Lee Remick) claimed that he raped and beat her.  However a police surgeon finds no evidence of rape.  Over the course of a big trial, Biegler is the smalltown lawyer (and recently deposed District Attorney) who must parry with the new DA Lodwick (Brooks West) and out-of-town prosecutor Claude Dancer (George C. Scott) to set his client free, but his case rests on the victim’s mysterious business partner Mary Pilant (Kathryn Grant), who’s hiding a dark secret.  Biegler has to prove Manion was suffering temporary insanity but will the jury buy it after Biegler discovers he’s a violent and jealous husband and he knows in his heart he’s got a very weak defence? … Producer/director Otto Preminger spent most of the 1950s baiting the censor with material for adults and this long engrossing account of a true crime is no different. Wendell Mayes adapted Robert Traver’s (aka John D. Voelker) novel based on his own experiences on a 1952 case in the state of Michigan.The matter of fact handling of the explicit physical details in the courtroom confirms that this is a film that has no cinematic tricks. It’s shot wide and flat in black and white with the only camouflage or disguise in the personalities presenting themselves. That applies to the legal team too:  Parnell Emmett McCarthy (Arthur O’Connell) has to swear off the booze for the duration to assist Biegler;  Laura must drop the tight pedal pushers, don skirts and hide her wonderful hair;  Biegler’s bonhomie hides a finagling mind that doesn’t express great surprise at anything anyone says or conceals.   There’s a strand of humour running through both dialogue and characterisation that raises the game: the lightness of Remick as the bruised flirtatious beauty, with her wonderful companion dog Muff (Snuffy) who gets to provide his own witness statement in court, alongside Stewart’s jolly and wryly witty performance, makes this more pleasurable than the subject matter suggests. In fact the whole film avoids melodramatic excess and has a devious sinuousness that leads from Stewart. His banter with Joseph N. Welch [chief counsel for the US Army when it was being investigated for UnAmerican Activities in the McCarthy Hearings] about fishing provides a lot of enjoyment; Eve Arden as the reliable and seen-it-all secretary Maida Rutledge offers her typical scepticism in a film constructed from the cynic’s playbook. There are no histrionics or crazy closing arguments, just practice, rationale  and evidence (of witness-coaching). Now, Mr  Dancer, get off the panties – you’ve done enough damage.  Duke Ellington provides the film’s notable score and he appears uncredited as pianist Pie Eye and enjoys an exchange with Stewart. The great titles are by Saul Bass. This is elegant filmmaking, wonderfully crafted, telling a difficult story in the procedural vernacular very stylishly.  How can a jury disregard what it’s already heard?

Maudie (2016)

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Show me how you see the world. The story of Maud Lewis née Dowley, a folk artist from Nova Scotia. She (Sally Hawkins) is an arthritic woman living with her Aunt Ida (Gabrielle Rose) in the 1930s. Maud is shocked to learn that her brother Charles (Zachary Bennett) has sold their family home, which their parents had left to him. In the meantime, she is berated by Ida about going out to a local dance. At a store, Maud sees the inarticulate and rough fish peddler Everett Lewis (Ethan Hawke) place an advertisement for a cleaning lady. Maud answers the call and takes the position for room and board. Everett’s house is very small, and the two share a bed, causing scandal in the town, with gossip that Maud is offering sexual services. While attempting to clean the shack, Maud paints a shelf. She then begins painting flowers and birds on the walls to make it look better. She meets one of Everett’s customers, Sandra (Kari Matchett) from New York City, who is intrigued by Maud’s paintings and buys cards Maud has decorated. She later commissions Maud to make a larger painting for five dollars. Maud persuades Everett to marry her, while her paintings receive more exposure in print coverage and sales begin at the house. US VP Richard Nixon contacts the Lewises to obtain one. After the couple appears on TV news, Everett becomes disturbed that local viewers see him as cold and cruel. Ida, increasingly ill, also saw the coverage, and Maud wishes to see her before Ida dies. Ida tells Maud that she is the only Dowley who ever found happiness, and confesses Maud’s baby girl did not die deformed. Charles had sold her to an old couple.  Everett becomes convinced the relationship has brought nothing but emotional anguish to both of them. The two separate… It starts rather unpromisingly, this story of a strange, somewhat retarded woman whose existence has proven difficult for her aunt – the reference to ‘what happened last time’ after Maudie sneaks out to a dance hall and drinks is an illegitimate baby a late revelation which triggers the emotive last third, in which her difficult and occasionally violent husband seems to finally reconcile himself with his lot and brings Maudie to see her adopted daughter, now married and living in a pretty whiteboard house. The final scene in the hospital is diffident, as is much of the film, which cries out for a more in-depth treatment of this problem life and naive art. Stick with it even if Hawkins drives you potty. Shot in Newfoundland, for some reason. Written by Sherry Wright and directed by Aisling Walsh.

Cool Runnings (1993)

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Peace be the journey. Four Jamaican bobsledders (Leon, Doug E. Doug, Rawle D. Lewis and Malik Yoba) dream of competing in the Winter Olympics in Calgary despite never having seen snow. With the help of  Irv Blitzer (John Candy) a disgraced former champion desperate to redeem himself, the Jamaicans set out to become worthy of Olympic selection and go all out for glory… The real-life underdogs in the ’88 Games are given a sweetly (fictional) biographical treatment, complete with father-son conflict, rivalry with other teams, a real rackety set-up in an event riven with issues including the late great Candy (an invented character) who has his own past transgression to resolve without damaging his team’s prospects.  As sliding proceedings in Korea come to an end (sob!) this is simply irresistible.  Lynn Siefert & Michael Ritchie wrote the story and the screenplay is credited to Siefert and Tommy Swerdlow & Michael Goldberg. Directed by Jon Turteltaub.  The last time I saw this was when it was released exactly 24 years ago and Candy died just a fortnight later. What a sad loss.

My Bloody Valentine (1981)

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It happened once, it happened twice. Cancel the dance, or it’ll happen thrice. Ten years ago, an inexperienced coal miner named Tom Hanniger (Jensen Ackles) caused an accident that killed five men and put a sixth, Harry Warden (Peter Cowper), into a coma. A year later, on Valentine’s Day, Harry woke up and murdered 22 people with a pickaxe before dying. Now Tom has returned home, still haunted by the past. And something else is back in Harmony: a pickaxe-wielding killer in a miner’s mask, who may be the ghost of Harry, come to claim Tom and his friends.  The accident long forgotten, the dance resumes. Many of the town’s younger residents are excited about it: Gretchen (Gina Dick), Dave (Carl Marotte), Hollis (Keith Knight), Patty (Cynthia Dale), Sylvia (Helene Udy), Howard (Alf Humphreys), Mike (Thomas Kovacs), John (Rob Stein), Tommy (Jim Murchison), and Harriet (Terry Waterland). Of this group, Sarah (Lori Hallier), Axel (Neil Affleck), and the mayor’s returning son T.J. (Paul Kelman) are involved in a tense love triangle. … This Canadian exploitationer is notorious for its gore and violence which led to it being heavily cut but it has become something of a cult item due to its status in the vanguard of the slasher genre. What’s striking about it at this distance is how it treats its subject – seriously! You may think twice about using a nail gun after this. Written by John Beaird with a story by Stephen Miller, this is directed by George Mihalka.  And this holiday serial killer flick gave a certain great band their name. For that at least we are grateful.

Videodrome (1983)

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This has something you don’t have Max. It has a philosophy. And that’s what makes it dangerous. Max Renn (James Woods) is the director of a UHF TV channel operating out of Toronto in the early 80s looking for new material. He picks up a channel specialising in torture and violence which appears to be operating out of Pittsburgh. When his new girlfriend radio host Nikki Brand (Blondie’s Debbie Harry) disappears and turns up in one of their snuff movies he finds out too late that his violent hallucinations are happening because of what he’s been exposed to on videotapes which aren’t being broadcast at all – they’re being targeted at powerful people to exert mind control in a disintegrating society … David Cronenberg’s film has such a predictive quality despite some yucky special effects by Rick Baker. Made a decade before the internet became public, this is a satirical disquisition on the dangers of virtual reality and the closing of the distance between hard and soft technology – just watch what Woods does with his own abdomen, the new slot for a live VCR that has a direct connection with his brain! After Scanners made him famous this is the body horror that Cronenberg brought to bear on the idea of censorship and the belief run riot in those days that watching violent films bred violence in the viewer.  Woods’ ‘paranoid intellectualism’ as Cronenberg has it is just the disparaging stance that this subject needs to express this film’s very black comedy.  Long live the new flesh indeed.

Eddie the Eagle (2016)

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This is the story of the worst ski jumper in British Olympic history. And that should warn off all but the most indulgent ski bunnies. But aside from the fact that I am OBSESSED with winter sports (did you see what happened in the slalom at Innsbruck last week?!) this is a winning, funny, deeply sympathetic and hellishly exciting film about  the need to compete above all. Simon Kelton adapted the story from Edwards’ life and wrote the screenplay with Sean Macaulay (Hitchcock) who some people will know for his film criticism. Famed Finn Matti Nykaner gets to expound on his philosophy which has an amazing effect on our hero, Hugh Jackman wears the same bleached denims and cowboy boots throughout as the reluctant and permanently drunken coach, and Taron Egerton screws up his gorgeous face to become the man who haunted the British winter Olympics team in Calgary in 1988 – and boy did he make idiots out of them. He is a winner through and through and so is this. Christopher Walken shows up and so does Keith Allen. It really is a bit of a lark and an uplifting one at that. The soundtrack is to die for – any film that puts Thin Lizzy’s The Cowboy to good use gets a thumbs up from Mondo Movies. What great things Dexter Fletcher has done since his childhood! Next thing you know they’ll go and make a movie about that year’s Jamaican bob sleigh team. Doh!