Altmanesque? Life, liberty and the pursuit of truth. That’s Elliott Gould’s perception of the man with whom he collaborated on some of the key movies of the Seventies. This documentary about Robert Altman is not quite as freestyled, improvised and ensemble-driven as his most acclaimed directorial works but it comes close, using a lot of home movies to illustrate the domestic life that lay behind the man and his films. Ron Mann directs a script by Len Blum which traces his evolution from making industrial films following an early script sale to Hollywood, and a lengthy career in TV episodics which resulted in an abrupt leavetaking following a row over the portrayal of race and the equivalent of then-undiagnosed PTSD, through the astonishing innovative features. There are interviews with family members, including his third wife and some of his children (who wound up working with him, partly as a means of seeing him) as well as actors who perhaps achieved more in those films than in any other in terms of the way their skill sets were utilised. There are interview clips both new and old, film excerpts including on-location footage (expletives undeleted) and the up and down career arcs covering the fall from grace through most of the Eighties when he then reinvented how TV could do drama with Tanner ’88. Then the comeback, cocking a snook at Hollywood with The Player. When he got his Lifetime Achievement Award at the Oscars he made a surprise admission which elicited the appropriate reaction from the star-studded crowd – another glorious directing coup. A fine piece of work (despite some odd editing decisions) doing justice to a peripatetic talent.