Aka Sub-a-Dub-Dub. Pretty goldfish, we could have a whale of a time. Marine scientist Fred Miller (Tony Randall) talks his aquaphobic romance novelist wife Vivian (Janet Leigh) into spending thirty days in an experimental home he’s designed for boss T.R. Hollister (Jim Backus) in order to secure funding. But he’s got to take the entire family to live ninety feet under the sea in The Onion and that means their teenage son Tommie (Gary Tigerman) and daughter Lorrie (Kay Cole) who happen to be on the verge of signing a record deal for their pop group led by her boyfriend Harold (Richard Dreyfuss) and his brother Marvin (Lou Wagner). A rival designer, Mel Cheever (Ken Berry) from Undersea Development literally rocks their boat with his sea bed dredging and then a hurricane strikes … Doctor, I think you’ve been smoking my bananas. An underwater musical? Why not? This blends 20,000 Leagues Under the Sea with Lost in Space and precedes TV’s The Partridge Family with its band of teenyboppers. Boasting a baby submarine, a seal called Gladys who loves watching the washing machine churn in the ultra mod interior, two helpful dolphins called Duke and Duchess bobbing about the lounge and Roddy McDowall as Nate Ashbury, a wunderkind hepcat music mogul, what more could you possibly want Daddy-o? Oh yes – sharks. And here it is – Dreyfuss’ first encounter with the pesky creatures – who insist on paying the Onion a visit when Leigh mistakenly flushes the trash without first incinerating it. It’s soft-hearted nutty family fun but it’s clearly nodding to Leigh’s fear of water (after Psycho!) and the only person getting their keks off regularly is Randall so whatever floats your boat. Dreyfuss’ songs are sung by composer Jeff Barry and Merv Griffin appears as himself when the kids get to perform on his show from their new abode. Harvey Lembeck appears as a sonar operator on a passing ship which misinterprets the signals from the kids’ songs as enemy activity prompting political anxiety. A real blast from the past. Written by John McGreevey and Frank Telford from a story by Ivan Tors and Art Arthur. Directed by cult sci fi fave Jack Arnold with those marvellous underwater sequences shot by Ricou Browning at Miami’s Seaquarium and in the Bahamas. One of a unique group of films featuring the point of view of a fish. That’s all we need – more sharks!