Jeanne Moreau 01/23/1928-07/31/2017

Jeanne Moreau still.jpgJM Ascenseur pour l'echafaud.jpgJM les amants.jpgJM Liaisons 1960.jpgJM Moderato cantabile.pngJM La notte.jpgJM The Trial.jpgJM Jules et Jim.jpgJM Eva.jpgJM Banana Peel.jpgJM The Victors.jpgJM Le feu follet.jpegJM La baie des anges.jpgJM Diary of a Chambermaid.jpgJM The Train.jpgJm The Yellow Rolls Royce.jpgJM Mata Hari.pngJm Viva Maria.jpgJm Chimes at Midnight.jpgJM Mademoiselle.jpgJM The Oldest Profession.jpegJM The Sailor From Gibraltar.jpgJM The Immortal Story.jpgJM Great Catherine.jpgJM The Bride Wore Black.jpgJm The Little Theatre of Jean Renoir.jpgJM Monte Walsh.jpegJM Dear Louise.jpgJM Nathalie Granger.jpegJM Les valseuses.jpgJM The Last Tycoon.jpgJM Monsieur Klein.jpgJM Querelle.jpgJM La truiteJM Nikita.jpgJM The Old Lady Who Walked in the Sea.jpgJM Until the End of the World.jpgJM L'amant.jpgJM Map of the Human Heart poster.jpgJM Beyond the Clouds.jpgJM The Proprietor.jpegEver After theatrical.jpgJM Cet amour-la.jpgJM Lumiere.jpgJM L'adolescente.jpg

La grande femme du cinema francais est morte. Jeanne Moreau, quelle artiste exceptionelle.


Ever After: A Cinderella Story (1998)

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The post-feminist take on Cinderella, or how you can get your man and still retain your dignity and read Utopia without feeling guilty. Susannah Grant is a sassy screenwriter and this fairytale is plonked right into history as the Queen of France (Jeanne Moreau) regales the Brothers Grimm the story of Danielle, the unfortunate girl whose father has married a right cow (Anjelica Huston) with two daughters (Megan Dodds and Melanie Lynskey) and then he goes and dies and leaves her in their terrible hands. Drew Barrymore is the girl who loses her shoe after making it to the ball, Dougray Scott is the well-read but out of control prince who doesn’t want to settle down in organised matrimony to the dismay of his parents. This is smart and witty without the pantomime that usually accompanies the story and Barrymore is just about perfect as you’d expect in a gorgeous looking outing shot on location in France.  The final twist is but well deserved! Great fun. Directed by Andy Tennant.

Viva Maria! (1965)

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Never did terrorists look lovelier than here, in Louis Malle’s subversive take on the buddy movie with Brigitte Bardot an IRA activist teaming up in Mexico with vaudeville performer Jeanne Moreau and getting more popular as they incorporate stripping into their musical act. They fall for the revolutionary leader Flores (George Hamilton) and join him and his comrades in trying to overthrow the regime of El Dictador (Jose Angel Espinoza). When Flores is shot Maria 1 (JM) agrees to fulfill his deathbed desire and the Marias organise a peasant army …  Malle instructed writer Jean-Claude Carriere to incorporate the tropes of the action adventure and westerns like Vera Cruz, just with female protaganists and financing was finalised only with Moreau’s participation. The two ladies got on very well together during a 16 week shoot on location and this was a huge hit in its day.  Hamilton is excellent as their male foil leading Malle to wonder why he didn’t act more. The cinematography by the great Henri Decae is sublime and Georges Delerue supplies a suitably gorgeous score. The laughs never quit!