The Spoilers (1942)

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A woman doesn’t run out on the man she loves, she sticks with him through thick and thin. It’s 1900 and Flapjack (Russell Simpson) and Banty (George Cleveland) arrive in Nome, Alaska to check up on their claim to a gold mine. Saloon owner Charry Malotte (Marlene Dietrich) knows that Bennett (Forrest Taylor) and Clark (Ray Bennett) are plotting to steal their claim. The new gold commissioner Alexander McNamara (Randolph Scott) is part of the corrupt scheme as is the territory’s judge Horace Stillman (Samuel S. Hinds) whose niece Helen (Margaret Lindsay) has a thing for Cherry’s old flame Roy Glennister (John Wayne), fresh from a trip to Europe. Roy makes the mistake of siding with McNamara which damages his relationship with longtime partner Al Dextry (Harry Carey).  Roy realizes he’s been deceived as McNamara and Stillman prepare to steal at least $250,000 while the mine’s case awaits appeal. Helen is now in love with Roy, who begs Dextry’s forgiveness and persuades him to rob a bank to take back the wealth stolen from them. Both Glennister and Dextry don black faces to disguise themselves during the heist. The Bronco Kid (Richard Barthelmess) kills the sheriff but Roy gets the blame. He is arrested and a plot forms to kill him – permitting him to escape then murdering him on the street – but Cherry comes to his rescue, breaking Roy out of jail. A spectacular train derailment occurs during his fight for freedom. Then a fierce fistfight with McNamara results in Roy getting back his mine and his girl. A great starry cast play brilliantly off one another in this spirited adaptation of the novel by Rex Beach, adapted by Lawrence Hazard and Tom Reed. The tone is set from the start with a shootout in this muddy town and Dietrich beats a path to the dock to greet old love Wayne. She doesn’t sing but wears several sparkly numbers in this monochrome delight. Her byplay with romantic rival Lindsay is a wonderful contrast in performing styles and her scenes with Wayne positively crackle The frequent references to Robert Service’s works are done with a nod and a wink to his own appearance as The Poet. Directed by Ray Enright who brings everything to a rousing conclusion with one of the longest fistfights ever filmed – and it’s all over the saloon! Wonderful fun.

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Support Your Local Sheriff (1969)

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I’ve never made any secret of the fact that basically I’m on my way to Australia. Calendar Colorado is a lawless town rich on the proceeds of a gold find during a funeral and it needs someone to pull it into shape. A sharpshooting chancer Jason McCullough (James Garner) claiming to be on his way to Oz takes a well-paid job to clean up as sheriff, hired by mayor Olly Perkins (Harry Morgan). That involves putting the Danby family in line so he imprisons idiot son Joe (Bruce Dern) in a jail without bars by dint of a chalk line and some red paint … This sendup of western tropes gets by on its good nature and pure charm with Garner backed up by a hilarious Joan Hackett as the accident-prone Prudy Perkins whose attractions are still visible even when she sets her own bustle alight. Jack Elam parodies his earlier roles as the tough guy seconded as deputy while Walter Brennan leads the dastardly Danbys, hellbent on making money from the guys mining the gold before it can be shipped out. Written and produced by William Bowers and directed by Burt Kennedy, that expert at a comic take on the genre whose serious side he had exploited in collaboration with Budd Boetticher and Randolph Scott the previous decade. Bright and funny entertainment from Garner’s own production company, Cherokee.

The 33 (2015)

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The story of the Chilean miners at the Copiapo mine who spent 69 days underground in 2010 following a workplace accident always puzzled me because it had so much traction:  where were all the international journalists when hundreds of thousands of Chileans – no more than the Argentinians – were ‘disappeared’ over a few decades???? Torture under military juntas/fascist regimes unwittingly/silently supported by the Liberal West isn’t sexy, I suppose. I digress. So there was a wall collapse and a bunch of men paid the price for the owners’ shortcuts in maintenance – plus ca change in the world of work. And Antonio Banderas spends, oh, two hours, giving rousing speeches, because that’s what you do when you’re shut in with your lovely colleagues. Admittedly I am both claustrophobic and agoraphobic and the idea that I’d even have to have lunch with colleagues makes me gag. I’m probably allergic to this as well. Written by Mikko Alanne, Craig Borten and Michael Thomas, and directed by Patricia Riggen. With Juliette Binoche, James Brolin, Gabriel Byrne and Lou Diamond Phillips. Watch Missing instead.