I need a light. I need a life. And I need to get laid. Six-year-old Moonee (Brooklynn Prince) lives with her young mother Halley (Bria Vinaite) in the Magic Castle, a motel in Kissimmee near Walt Disney World (the title derives from the original name of the theme park). She plays unsupervised with her motel-resident friends Scooty (Christopher Rivera) and Dicky (Aiden Malik), engaging in mischief, mooching from tourists, stealing, and other bad behaviour. She meets Jancey (Valeria Cotto) a child living at the Futureland motel next door, and invites her to hang out with them. Bobby (Willem Dafoe) the manager of Magic Castle, is protective of the children despite their misdeeds. Halley can’t make the rent so hawks perfume to tourists in hotel parking lots and asks Scooty’s mother, Ashley (Mela Murder) to steal food for them from the diner where she works. However, Ashley cuts contact after discovering Moonee, Scooty, and Jancey set an abandoned condo on fire. Halley begins offering her services online as a prostitute, locking Moonee in the bathroom when she has a client. Bobby notices and applies restrictions on unregistered guests in her room. When she steals a client’s Disney park passes to sell them, the man returns to demand them back; Bobby sees him off but warns Halley that he will evict her if the prostitution continues. Halley approaches Ashley to apologise and ask for money. When Ashley mocks her for her sex work, Halley beats her in front of Scooty. Then Child Protection show up … How you respond to this artless blend of social realism and off-kilter comic narrative about children in poverty probably stems from your politics. This is a tragicomic portrait of the underclass against a backdrop of dayglo pastels which doesn’t make it any prettier despite the charming playing of Prince, a little girl who has oodles of charisma. For much of the time it seems Dafoe is in another film altogether – he is a professional actor after all. This is basically a sobering warning to teenage girls not to get pregnant in a massively overpopulated world where decent people demand that children have normal lives. Sorry, but that’s what it meant to me, fantasy ending or not. Written by director Sean Baker and Chris Bergoch.