Julia Roberts’ stardom really is the touchstone for the Nineties. Here she’s the abused young wife of violent OCD psycho Patrick Bergin, that dashing Irishman who wears a black coat and a great moustache and has his finest cinematic moment to date in Map of the Human Heart, Vincent Ward’s masterpiece. The unloved-up mismatched couple live on the beach in modernist fabulosity while he lines up all the cans so that they face the right way out (just like David Beckham). It really is a shock to see him administer a beating to America’s happiest hooker. A boating accident leads him to believe she’s dead – but she’s in the middle of Cedar Falls, Iowa, donning drag and a nifty moustache with her new and bearded neighbour’s assistance to visit her disabled mom in a nursing home having faked her funeral six months earlier. This is meat and drink to director Joseph Ruben who is working with the Ron Bass/Bruce Joel Rubin adaptation of Nancy Price’s novel. There are no real surprises here if you’ve ever wondered what it might be like if Fatal Attraction were to be reversed with added Berlioz. Just remember: it’s all about the facial hair.