This gloriously romantic if somewhat synoptic adaptation of Hemingway’s partly autobiographical classic is let down only by the occasionally ill-chosen shot of lollipop lady Helen Hayes, whose disproportionately short stature and large head look hugely comical beside the elegant Cooper, the forever Hemingway avatar. He’s the WW1 ambulance driver who falls in love with an English nurse over the objections of jealous CO Adolphe Menjou. When they are reunited and have a proper relationship Menjou deploys her to another hospital and the lovers’ letters are intercepted by him to try and split them up. Cooper eventually deserts his post to find her, now dying after delivering their stillborn son. Filled with brilliant setpieces and moments of true romance by screenwriters Benjamin Glazer and Oliver H.P. Garrett and the master director, Frank Borzage whose compositions (shot by the amazingly talented DoP Charles Lang) are quite breathtaking. A Pre-Code masterpiece with some astonishing intimations of sex. Happy Valentine’s Day!