They kept talking about the mainland. They were in very heavy cloud. It kept getting darker and darker … British Air Marshal Hardie (Michael Redgrave) is attending a party in Hong Kong when he hears of a dream, told by a pilot Commander Lindsay (Michael Hordern), in which Hardie’s flight to Tokyo on a small Dakota propeller plane crashes on a Japanese beach. Hardie dismisses the dream as pure fantasy, but while he is flying to Tokyo the next day, circumstances start changing to line up with the pilot’s vivid vision, including the plane they have to take and it looks like the dream disaster may become a reality… R. C. Sheriff’s screenplay is a game of two halves: what happens in the first leg of the flight, when it doesn’t have quite the quota of components outlined by Lindsay; but then the second leg has the flashy loudmouth businessman Bennett (George Rose) and all the fears of the passengers in the know about Lindsay’s prophetic dream start to manifest in their behaviour. Then they hit a storm, the wings ice up and they lose radio contact – and are to all intents and purposes lost. There are nice behavioural touches here, as people come to terms with their own beliefs in the supernatural or otherwise. There’s a nice ensemble including Ursula Jeans, Sheila Sim, Victor Maddern and Alfie Bass as a bolshie soldier. Director Leslie Norman found the original story, from the real-life journal of British Air Marshal Sir Victor Goddard in a 1951 edition of the Saturday Evening Post. Ealing’s Michael Balcon wouldn’t let him write the script and turned it over to Sheriff whose efforts in the director’s opinion added nothing to the story. However the final twist is quite pleasing. Handled well. Almost as well as the flight itself!