9 1/2 Weeks (1986)

nine-and-a-half-weeks-movie-poster

Yes, I’m going there. It’s Friday after all. This was the secret shame of myself and several of my college mates courtesy of a guy who had it on VHS back in the day. We watched it regularly in a darkened room, as you do. Lunchtimes have never been the same since. I think this is how cults begin, isn’t it?! It was a notorious bomb on release and it’s not difficult to see why – how to explain an S&M memoir on date night?! 960 people stormed out of the preview audience of 1,000! One can only hazard a guess at what the remainers were doing. Really, it’s a home movie in every sense!  Ingeborg Day nee Seiler (daughter of an Austrian SS officer) wrote for feminist mag Ms. as Ingeborg Bachmann in the Seventies and documented this stage of her life pseudonymously in 1978 as ‘Elizabeth McNeill’. She had a breakdown afterwards. Gallerist Elizabeth embarks on an intense affair with Wall Street broker John who takes her places she’s never been … in her own body. The fact that she is played by the stunning Kim Basinger and he is the then-beautiful Mickey Rourke just makes it all the more, uh, pleasurable. In fact it’s their characterisation that makes this erotica work. Screenwriters Zalman King and Patricia Louisanna Knop (and Sarah Kernochan) turned soft porn into their avocation, while underrated director Adrian Lyne just makes everything appear lovely and astonishing as you’d expect from someone who helped change the look of cinema:  you’ll never look at the contents of your refrigerator the same way again. Seriously sexy and the soundtrack is great!

Advertisements

On the Game (1974)

X-Rated Stanley Long book cover.jpg

Stanley Long (Britain’s answer to Russ Meyers) came up with the wheeze of the Serious Documentary to stage period vignettes of sexcapades in the guise of a history of prostitution. Anything to try to avoid the dread scissors of the BBFC. You might recognise some TV faces – Peter Duncan (from Blue Peter) as a gay blade and Carmen Silvera (‘Allo ‘Allo) as a dominatrix. Narrated by Charles Gray. Have a cup of tea instead.

The Night Porter (1974)

The Night Porter poster.jpg

The infamous S&M movie about a Nazi who posed as a doctor in a concentration camp to take salacious photographs and the young inmate with whom he developed a kinky relationship:  they meet by chance in a hotel 12 years after the war has ended. He is about to go into a mock trial with his fellow abusers and they find out that the girl, now the wife of a conductor, could be a witness. He and the girl resume their relationship … And therein lieth the knotty problem. We know about the Nazis in our midst, they continue to holiday around Europe in a self-congratulatory orgy  in destinations such as Alicante and Portofino annually, according to Jonathan Freedland. And we found out in the 70s how they organised, thanks to Frederick Forsyth. And there are a fair few of them and their descendants in Argentina, Brazil and Chile. We are loath to admit it, but we also know that they were reabsorbed into German life post-WW2 and the only people who lost their State pensions were anti-Nazis in a regime funded by American money (so much for nation re-building). We also know that Hitler’s backup plan – the Fourth Reich, as it were – was a European economic union governed by Germany. That’s the revolting European reality:  tell that to PIGS. We rest your case. So why does this explicit linking of pornography, violence and Nazism exert such a negative critical energy? Precisely because it is personalised. It is given a name, or rather, two: Max (Dirk Bogarde) and Lucia (Charlotte Rampling). And like it or not, howsoever it was forged, they love each other. Yes, it’s sick. But in that sickness is revealed a truth about human survival. It is also indicative of a truth about every relationship – it’s about power. Director and writer Liliana Cavani took a lot of heat for this but she remains a notable filmmaker and this is a testament to bravery, if nothing else. And Bogarde is fantastic in a deeply troubling role. Rampling was so young and beautiful – she does everything she can. And they must have trusted each other greatly to shoot those scenes together.

Notorious (1946)

Notorious poster.jpg

Roman Polanski has said that films are made of moments – and there are so many of them here in this story of adultery, espionage and post-war intrigue in South America. The alcoholic stupor of Bergman. The kissing scene (dialogue by Clifford Odets, uncredited). The keys and uranium in the wine cellar. The race. S&M, drinking, Nazis, spying … what a screenplay (by Ben Hecht from an uncredited story by John Taintor Foote) and what sublime direction by Hitchcock (originally under the very watchful eye of producer David O. Selznick). One of the first great mature Hitchcock films. Classic.