If you kept it simpler and danced from the heart … Australian ballroom dancer Scott Hastings (Paul Mercurio) wants to do his own thing and make up steps on the dancefloor, much to the disdain of his traditional colleagues. He is denounced by Barry Fife (Bill Hunter) who runs Dancesport, the competitive ballroom scene. Scott’s partner Liz (Gia Carides) abandons him for Ken (John Hannan) whose partner Pam Short (Kerrry Shrimpton) has broken both her legs. So when a plain, left-footed local girl Fran (Tara Morice) approaches him he has little option but to take up the offer. Her Spanish father teaches them to dance the Paso Doble and her grandmother tells Scott he must learn to dance with his heart. Together, the team gives it their all but they only have three weeks to get ready for the Pan-Pacific competition and Barry Fife tells Scott that dancing their own way cost Scott’s parents while Liz wants him back … You stick with your roles until eventually they bring their own rewards. The first of Baz Luhrmann’s Red Curtain trilogy, this is a low budget adaptation of a theatre improvisation and play which brought him to the world stage in a fairytale manner, much as our heroes take the competition. The faux-documentary style with direct address to camera gives way to more straightforward musical drama which however never rises much beyond the level of caricature in over the top characterisations, plenty of intimidating close ups of faces (the dancing feet, a little less) and restricted locations. However the sheer zip and zest of the performances, the funny Australian stereotyping and the heartfelt Cinderella story combined with the ugly duckling becoming a swan and falling for the daring prince who realises his pathetic dad (Barry Otto) is actually quite a chap, makes it all sequins and spangles and fun and wins you over in the end. There’s a wonderful soundtrack. Along with Muriel’s Wedding and Dead Calm, this film put Australia on the global movie map once again.