He looked just like a little boy lying on the gurney. Werner Herzog goes to Conroe, Texas to examine the case of Michael Perry and Jason Burkett, both convicted of a triple murder in 2001. He interviews the men, both of whom blame the other and proclaim their innocence from behind bars. Perry is 14 days from execution and appears to have made his peace with God. Burkett can look forward to eventually getting out. Hence the film’s subtitle: A Tale of Life, A Tale of Death. Burkett has married a prison groupie who somehow became inseminated despite there being no situation in which they could have had intercourse. Herzog is walked around the crime scene by an investigating police officer and part of the film contains the police video of the aftermath. Widowed nurse Sandra Stolter was shot in her house in an expensive gated community as she baked cookies at Halloween. She was dumped in a lake. Her 17-year old son (actually her older daughter’s illegitimate son, therefore her grandson) was hunted down and killed along with his friend. All of this was because Perry and Burkett wanted the woman’s red Camaro. They were chased for three days until they were caught. The car is in a pound, having been moved from its previous location where a tree grew through the floor. Herzog remains behind the camera and there is minimal voiceover but his solemn, methodical approach and his choice of interviewees buttresses his view that the death penalty is wrong although the film is so carefully constructed there is no real attempt to figure out what happened and who did what. The film is divided into a prologue and six sections. It begins with the prison chaplain whose job it is to comfort men about to be put to death. We see the cemetery where they are buried in their hundreds without their names, just their prison numbers. The former captain of death row Fred Allen finally gave up his job when he had to put a woman to death (Karla Faye Tucker in 1998) and sacrificed his pension: he talks about living ‘in the dash’ ie the time between life and death as signified on the grave markers. Burkett’s father is himself serving 40 years and is interviewed behind bars, his fifth time inside. He blames his almost permanent absence from home for his son’s actions: his testimony at sentencing saved Jason from lethal injection. Stolter’s daughter Lisa attended the execution and lets us know that Perry ‘forgave me.’ She laughs through her tears. On the one hand this is a careful indictment of a system of criminal justice which results in capital punishment. On the other, it’s a terrifying examination of broken families and dysfunction and the effects of drink and drugs. The big question here is why anyone kills in the first place – the individual or the State. But it’s still a small story. It’s an utterly tragic account of many lives destroyed in a small Texas town – all because two nasty teenagers coveted a car.