That Funny Feeling (1965)

The only important thing now is to save a buck. New York City. Joan Howell (Sandra Dee) intends to be an actress but for now she’s working as a maid. On three different occasions, she and Tom Milford (Bobby Darin) – a successful publishing executive and womaniser – accidentally bump into each other. The third time, Tom asks her for a date. Embarrassed by her own modest rented apartment, which she shares with fellow aspiring-actress friend Audrey (Nita Talbot), Joan invites him to the lavish apartment of one of her clients whom she believes to be out of town for a couple of weeks pretending it’s hers. What she doesn’t know, because she and her employer have never met, is that the apartment is Tom’s. He shocked to find himself being welcomed to his own place but he plays along to see how far Joan’s prepared to go. He then moves in with his friend Harvey Granson (Donald O’Connor) who has his own concerns about Joan to do with his acrimonious divorce and property he’s ‘hiding’ from his wife at Tom’s place. As soon as Joan becomes aware of the truth, however, she figures out how she might get even, starting with getting rid of Tom’s beautiful English-tailored suits … You know I’ve got the funniest feeling somebody’s trying to tell us something. Bobby Darin and Sandra Dee were a seemingly golden couple and this was the third time they were paired together in starring roles. It’s a mild comedy and a silly premise but it’s played for all it’s worth by a nice cast. The screenplay by David R. Schwartz from a story by Norman Barasch and Carroll Moore quickly pits our lovely couple together in a meet-cute scenario that’s the conclusion of a voiced montage about how all kinds of creatures collide: the key takeaway being, Bobby and Sandra can’t miss! How they keep coming back together is the whole show. The zipper’s stuck. Leo G. Carroll plays the heavily Oirish-accented pawnbroker Mr O’Shee, which provides the start of a running gag; Reta Shaw is one of the women who find Tom half-naked in a phone booth and Don Haggerty does a Zasu Pitts as the policeman who cannot believe his eyes on more than one occasion especially when a line of extravagantly garbed prostitutes shows up on his beat. There’s more eyerolling from the reliable Robert (Stalag 17) Strauss and Ben Lessy as bartenders who observe the ups and downs of the romance with pleasantly predictable cynicism. Could be he IS an interior decorator. O’Connor is given little to do which is surprising but Larry Storch does a good job as thespian Luther, ready to give the girls advice on the acting biz. How the knotty but lovely and loved-up pair of midcentury blond gods figure out their essential problem – mutual deception – as they constantly mistake the other’s line of work is fairly fun but it’s the ensemble that really make this PG sex comedy a decent watch. Naturally the title song over the weird (astronomy) titles and credits is written and performed by the redoubtable Darin. Directed by Richard Thorpe. Have you never seen a naked man in a phone booth?

That Darn Cat! (1965)

That Darn Cat 1965

Do I look like Eliot Ness? Siamese pretty boy Darn Cat aka DC returns to the suburban home he shares with sisters Patti (Hayley Mills) and Ingrid aka Inkie Randall (Dorothy Provine) with a partly-inscribed watch replacing his collar after he follows bank robbers Iggy (Frank Gorshin) and Dan (Neville Brand) to their hideout where they’re hiding their kidnap victim Margaret Miller (Grayson Hall). Patti sees the news story and thinks the watch belongs to the woman and reports the case to the FBI who detail Agent Zeke Kelso (Dean Jones) to the case.  He has a really tough job tailing DC on his nighttime excursions trying to track down the robbers … D.C.’s a cat! He can’t help his instincts. He’s a hunter, just like you are. Only he’s not stupid enough to stand out in the pouring rain all day! Long and funny slapstick cat actioner with Mills utterly charming and Jones perfectly cast as the agent charged with following the titular feline. There are good jokes about surf movies, TV weather and nosy neighbours, with Elsa Lanchester a particular irritant. Roddy McDowall is a hoot as Gregory, the woefully misguided mama’s boy who serves as a brief romantic interest for Ingrid, mainly because he can drive her to work every day. Provine has a marvellous moment looking to camera in one of their scenes. Adapted by Bill Walsh and The Gordons, from their 1963 novel Undercover Cat, this has enough satirical elements to win over a wide audience. Bobby Darin sings the title song, composed by the Sherman brothers. You might recognise one of the two versatile Seal Point Siamese cats who play DC as the co-star of The Incredible Journey. Directed by Robert Stevenson. Sir, a mouse is no more permitted in here, than a man without a car

Come September (1961)

Come September poster.jpg

Ah the Sixties, when romcoms were glossy and mainly inoffensive and women wore beautiful clothes without being slut-shamed. Stanley Shapiro and Maurice Richlin wrote a few of them for Doris Day at Universal and in the midst of that deluge and immediately before Richlin started writing the Pink Panther series, someone thought it’d be a busman’s holiday to set a movie in Italy because Liguria, Lazio and Milano are pretty great places to shoot a movie. With Rock Hudson as the home owner coming back to resume his relationship with La Lollo only to find she’s got another guy and his major domo (Walter Slezak) is making money on the side by using it as a hotel in his absence and Lo! Bobby Darin and his gang are making moves on Sandra Dee and her posse. Bobby sings Multiplication. Gosh, they really don’t make them like this any more. Lovely, light entertainment.