At the beginning of this film I wished I had paid more attention to my linguistics lecturers at college but that still wouldn’t have made me fluent in Farsi and Mandarin like Amy Adams nor even given me a passing ‘vocabulary word’ (a la Forest Whitaker, Army Colonel) in Sanskrit. Then I wished I’d had decent science teachers in high school who didn’t just chalk questions on the board and spend double periods drinking coffee in the staff room, so that I could be a brilliant theoretical physicist, like Jeremy Renner. Science and language are the source, dude. These unhappy unmarried geniuses are drafted in by the military to translate the aliens whose craft is one of 12 that have landed on Earth. So it’s off to Montana, just like in CE3K, that masterpiece of communication, where my desire for intergalactic travel was sparked. After all, how could aliens possibly be any worse than other humans? And since I saw another UFO over a hillside near my home on Saturday, I’m kinda in the mood, you know?! Halfway through this film it dawned on me that it had nothing to do with communicating with aliens and everything to do with the abject maternal. Because Amy is in mourning for her dead daughter. Just like Sandra was in Gravity. Cos women are incomplete without children (or with them, it seems. In space no-one can hear you scream giving birth). And Jeremy is … really her husband. And this is all to do with marriage breakdown. And for some reason, time is folding in upon itself and what matters not a jot is what the aliens are doing here because it’s all, you know, personal, so their Rorschach test blots on the invisible barrier have to do with a book Amy has yet to write about Heptapod language …and the child that hasn’t died yet because she hasn’t been born because Amy and Jeremy have just met! I thought this was going to be pretty great. But it’s not about world war or invasion. The aliens have visited Earth in an extreme case of marriage counselling. Did I completely misunderstand this film? Is it me?! I give up. Un film de Denis Villeneuve.