Space Cowboys (2000)

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I can’t fill up a spaceship with geriatrics.  In 1958, the members of Team Daedalus, a group of top Air Force test pilots, were ready to serve their country as the first Americans in space. When NASA replaced the Air Force for outer atmospheric testing, they were pushed aside for a chimpanzee by nemesis Bob Gerson (James Cromwell). The team retired, but the dream of going into space has never died. Forty years later, Frank Corvin (Clint Eastwood) is called into NASA to see Gerson who’s now a NASA project manager. A Cold War Russian communications satellite is freeflying and out of control and the archaic control system is based on Frank’s old SKYLAB design. He gathers the old guys from the Right Stuff days – widower Hawk (Tommy Lee Jones), Jerry O’Neill (Donald Sutherland) and pastor Tank Sullivan (James Garner) and they go through the rigorous  training of any young team,  trying to do in 30 days what would normally be done in 12 months. Then Frank is told he can’t go up but he also finds out one of his team has cancer. When he finally assembles everyone and they’re joined by Ethan (Loren Dean) and Roger (Courtney B. Vance) the younger astronauts supposedly there to do the real work, he sees that the satellite is nuked, a violation of the Outer Space Treaty You don’t need to be putting foolish notions in the head of a fool. From a screenplay by Ken Kaufman and Howard Klausner, star and director Eastwood fashions an old geezer take on the men on a mission movie, with a nostalgic harking back to the test pilot days when the moon was still a dream in the sky. Gathering a cast of veteran actors (Jones has a big role, Sutherland some comic moments, Garner is poorly served) they literally go through the motions of contemporary space flight and have to face some difficult home truths as well as the inevitable jeopardy.  That the premise’s hook is that the KGB stole the designs in the first place tells us a lot about what might really been going on all this Hot Non-War time with those lovely Russians. There’s all the technology and the moon yearning to consider but really this is about a bunch of ageing flyers achieving their ambitions and getting to their final destination with some romance provided on the ground by Marcia Gay Harden with medical advice from Blair Brown. The coda of course is a tribute to Dr Strangelove and you can’t say much better than that in the original geriaction movie that is quite literally the final frontier. An amiable, charming work, filled out with the smooth sounds of regular Eastwood collaborator Lennie Niehaus. They were around when rockets were born

 

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Geostorm (2017)

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I worked on this day in and day out, week after week, for years. What did they do? They turned it into a gun.  A few years after 2019 following an unprecedented series of natural disasters that threatened the planet, the world’s leaders’ intricate network of satellites to control the global climate and keep everyone safe is acting strangely.  Dutch Boy’s inventor Jake Lawson (Gerard Butler) is stroppy and a Senate Committee takes him off his own project and installs his younger brother Max (Jim Sturgess) in his place. But now, something has gone wrong: the system built to protect Earth is attacking it, and it becomes a race against the clock to uncover the real threat before a worldwide geostorm wipes out everything and everyone along with it. Jake has to go to back to outer space and Dutch Boy to try and suss out what’s gone wrong and finds himself in a political web with devastating outcomes as the machine designed to protect Planet Earth has become weaponised to destroy it and Max is the only person he can trust to get the POTUS to help as there’s a traitor in the crew … I don’t know about you but I’ve spent the last three weeks baking and I don’t mean cookie dough. Three months ago I was snowbound for a week and three months before that a huge storm nearly blew my house away. So even a trashy eco-disaster thriller with shonky FX, sibling rivalry, a barely-there political conspiracy and slim father-daughter story arc, compounded by some of the worst acting on the planet (take a bow, Mr Sturgess!) is somehow comforting in an era when some seriously smart people are arguing against climate change. Is it me?! Thank goodness the great Abbie Cornish is around to help save the world. Co-written by Paul Guyot with producer/director Dean Devlin. Batten down the hatches! And get me some ice…